David Spivak was born November
19, 1893 in Philadelphia, Pennsylvania; the family moved to Denver a few years
later. His father, Dr. C.D. Spivak, was a prominent physician and one of the founders
of the Jewish Consumptive Relief Society (JCRS). Both of Davids parents
were active in Denvers large Jewish community and helped found the Intermountain
Jewish News. As a child, David attended Denver public schools, playing football
at South High School back when that game was really rough.
Once past high
school and brief stint at the University of Denver, Spivak headed east to the
Art Institute of Chicago. While in that city his teachers included Wellington
J. Reynolds and John R. Morton. After two years, Spivak headed to New York City
and the Art Students League, where he remained for three years and was an honor
student. His instructors at ASL included John Christian Johan Johansen
and world-famous art teacher and artist Robert Henri. Spivaks studies were
interrupted by the First World War, during which he served for a year, stationed
at Kelly Field in Texas with an aviation unit. At the wars end, the young
artist returned home to Colorado.
Back on his home turf, David Spivak emerged
as an admired artist and teacher, an active and colorful figure within Denvers
art community. He had received excellent art training and was soon well-listed
at the areas galleries. Sales were always disappointing, however, and never
met the demands of family expenses. Spivaks teaching work supported his
wife and children. In that sense only -sales - Spivak was a failed artist,
which for him had a liberating aspect. He painted with neither an anticipation
of sales nor a desperate need for any. Spivak was a true plein air painter,
working while on family outings in the parks and mountains. His color mixing and
brushwork are immediate and expressive, innocent and honest.
David Spivak
taught art at both East and West High Schools, at the Denver Academy of Applied
Art, the Chappell School of Art and the Denver Institute of Art. He was an active
member of the early Denver Art Museum back when the citys artists were a
shaping force in that institution. Spivak helped instigate, and for many years
served as organizing superintendent of, the fine arts exhibit at the Colorado
State Fair, still the largest and most comprehensive exhibition in that part of
the state. Spivak painted portraits of many Denver residents and executed several
murals, including those at the B.M.H. Synagogue, the Jewish Consumptive Relief
Society and St. Thomas Seminary; his work is in the collection of the Western
History Department of the Denver Public Library.
Notably, David Spivak
was one of the original founders of the Denver Artists Guild in 1928 (now
the Colorado Artists Guild). In newspaper articles on the groups opening
exhibit, Spivak was prominently quoted in the citys papers speaking about
the inclusive force and redemptive power of art, and how he believed that art
and beauty helped shape better citizens and better human beings. These opinions
were quickly and publicly reviled by upper Denver Art Museum personnel, who insisted
that only the educated portion of the populace could appreciate art. The Colorado
Artists Guild is still guided by Spivaks vision of a truly democratic
organization open to every artist. David Spivak was serving as the guilds
president at the time of his very sudden death from a brain tumor in 1932 at the
age of 39. A posthumous solo show and memorial at the Denver Art Museum followed
his demise.